The Unicorn and the Wasp: Reversed

“Someone’s been watching Twin Peaks.”

I have, actually. Have you? It’s been riotous and ridiculous and I am not going to go into here. It deserves its own entry, one that I will undoubtedly write when we’re a little further into the series (episode 10 as I go to press, and enigmatic explanations and lengthy musical interludes aside I’m still no closer to working out what the hell is going on). David Lynch’s revisit is either brilliant or dreadful – I’m still trying to work out which, although I tend to err on the side of the former – and whether you found that black and white episode beautiful or baffling or both, it is one that stays in your head, more so than even the strongest episode of Doctor Who. For good or ill there is nothing like this on TV, and for that alone it deserves our unambiguous praise.

But you say Twin Peaks, you think backwards-speaking dwarves. Even though the dwarf isn’t actually a dwarf at all (it’s actually a genetic disorder), and he’s nowhere to be seen in this revived series (he seems, somewhat bizarrely, to have been replaced by a piece of modern art). Actually the last time I saw Michael J. Anderson doing anything, he was in a wheelchair in Mulholland Drive, although I gather he’s done a fair bit of voicework, and a little Googling suggests that there may be no love lost between him and Lynch.

Still. This scene is iconic. Everything about it just works. The only thing they get wrong is Cooper’s age, assuming that twenty-five years have passed, but there’s only so much you can do with 1980s prosthetics. And whatever Anderson’s beef (it sounds like it stems from money, which would be consistent with the issues Lynch had with Showtime) he does a mean soft-shoe.

I’ve probably said this before – in fact I probably said it when I was writing about the last backwards video I did – but I’d dearly love to produce a decent Twin Peaks homage. Unfortunately to do that you have to get someone to record those lines backwards so you can play them backwards in order to get the reverse intonation effect. And for that you need a professional Doctor impersonator, which I do not have. I am still working on the Nordic noir concept video, which will happen at some point.

In the meantime, there’s the little vignette you can see embedded at the top of this post. When you’re looking for visual impact, footage of characters eating works wonders – heck, half the jokes in ‘Backwards’ are based around the regurgitation of cream cakes or tankards of bitter – and it was that, indeed, that fuelled my last expedition into reversed Doctor Who scenes. But this one was a little different in tone – it consists of a character who is behaving even more manically than usual, which led to a scene that begins in turmoil and then gradually becomes calmer, through a combination of frantic lurching and backwards snogging, until it settles with a paradoxically unsettling freeze frame (which is very Lynch). If you look carefully, you’ll see certain moments are looped – reversed, then played forwards, and then reversed again – which is something I did every time I felt the flow was off. Ambient music came from these people, who may just be my favourite YouTube channel just now. The result is, as someone pointed out, very Twin Peaks. That was probably deliberate.

Besides, it gives me an excuse to re-post this.

WOW, BOB, WOW.

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