Posts Tagged With: peter capaldi

The Mary Whitehouse Experience

The main ground floor atrium of the Buffalo Wings Research and Development Centre in East Herefordshire was light, spacious, and currently empty. The rays of the afternoon sun flooded through a generous panel of windows spanning most of the length of the room, which was about half the size of a football pitch and a lot less muddy. Ornate columns of off-white marble stood near the glass staircase that led to the atrium’s upper balcony. It held the sort of acoustics most orchestral conductors only dream of, but besides the hum of an air conditioning unit, the chamber was utterly silent.

This was about to change.

All at once the silence was punctuated by a wheezing, groaning sound. It was a sound of intrigue; it was a sound of excitement and adventure; it was above all a sound of hope. It was emanating from an ageing caretaker whose job it was to make sure the room was empty, once an hour, every hour. He shambled out of his cupboard, limping on wobbly, rheumatic legs, gave a vaguely satisfied grunt, and then wheezed and groaned his way back to the armchair in the darkened corner he’d reserved for snoozing.

He did not see the arrival of the police box, which turned up out of nowhere just a couple of minutes later. The door swung open and a middle-aged grey-haired man stepped out, followed by a woman young enough to be his space daughter. The middle-aged man had taken on a variety of appearances over his uncountable lifespan, and had often been described as having a pleasant, open face, but the one he currently wore was neither pleasant nor open. He usually looked like the Demon Headmaster’s stunt double, unless he smiled, which had the effect of creating the sort of sinister, slightly deranged expression that people usually crossed the street to avoid.

He surveyed the room, and harrumphed.

“Bland. Lifeless.” He sniffed the air. “Thursday. I hate Thursdays.”

“Don’t tell me,” said Clara Oswald, who was gazing around with folded arms and a weary expression. “You never could get the hang of them.”

“Haven’t the faintest idea what you’re talking about. In any case: Herefordshire!” He threw both arms up to the sky and opened his mouth wide in mock enthusiasm. “The Buffalo Wings R&D Centre, home to the latest scientific enhancements in multimedia.”

“And we’re here because…?”

The Doctor was running his screwdriver across the desk, scanning. “They’ve got some fancy new device that lets you walk around inside your favourite TV shows.”

Clara frowned. “Hang on, you don’t even like TV.”

“Correct! But,” said the Doctor, pocketing the screwdriver, “the tech is years out of date.”

“Ah.” The penny dropped. “This is a nostalgia fetish, isn’t it?”

“No, I mean years the other way. Way, way too advanced for this time period. Which means…” The Doctor was feeling under the desk for something. “There’s something up.”

His hand reached a button, and a door on the first floor landing swung open. “To be precise, it’s up there.”

***

The Doctor couldn’t be quite sure what happened next.

There was a curiously empty room in this even more curiously empty research centre – why, why, why hadn’t he stopped to wonder why it was so quiet? – and then the stand-mounted CRT television had risen out of the floor like the booby-trapped idol rising out of the ground in some terrible adventure flick, and then the Doctor had touched its edge and then the big red button in the middle and the glass partition that dropped from the ceiling had separated him from Clara. And then the black-and-white static on the TV seemed to bulge at the edges, gaining substance, leaking its way out of the glass and swelling like a balloon, and then getting taller and taller and then it was rising around him like a fog and enveloping him completely –

– and then he was falling and falling and flying through a whirlwind of stars and swirls and bits of circuitry, and the wind was howling like a gale, and he could

not feel his own body, and the colours were like that excessively lengthy sequence at the end of that Kubrick film that always bored him to tears, and somewhere in the distance he could hear the sound of crackling, only — no, it wasn’t crackling, it was applause, studio applause, and then he could hear a distorted voice crying “It’s Friday… It’s five to five… It’s CRACKERJACK!”

***

He blinked, and adjusted his eyes. Why couldn’t he see?

No. He could, but for some reason the world had faded to monochrome. The Doctor had no idea why. He also had no idea why he felt so old, all of a sudden, or why his neck felt suddenly both constricted and warm. He looked down at the cravat that dangled from his shirt collar, and examined the wrinkled fingers. Looked down at his feet; noticed the cane propped up against the wall nearby.

Ah. Of course. He was both older and younger, trapped in a previous body. His first. Possibly his first; it was difficult to tell. And apparently he still had his memories, although they were a little fuzzy – rather like the world around him, which seemed to have lost definition. Things looked grainy.

It was a testament to the Doctor’s resilience that he did not immediately freak out. Instead, he got his bearings. The studio was staged and curtained and a live audience of gaggling school children sat watching as a plain-suited gentleman explained how the next game worked. Before the Doctor knew it, he was being handed a variety of prizes, which he was expected to hold, all at once, in an ever-expanding pile. A wooden Dalek-themed jigsaw. A bumper box of sweet cigarettes. A vinyl copy of ‘I’m Gonna Spend My Christmas With A Dalek’. A TARDIS-themed bagatelle game. A doll that was presumably supposed to look like him, although it did not.

His ageing fingers fumbled at the last one and the doll dropped to the ground; there was a chorus of ‘ahhs’ and a bit of laughter, and one of the floor runners emerged from the wings carrying something large and, under normal circumstances, green. A cabbage. The presenter received it with a smirk, and then balanced it on top of the Doctor’s haphazard pile, where it rolled from left to right and back again while the Time Lord tried desperately to steady it.

“I don’t suppose you have any celery?” he asked hopefully.

***

Zap.

There was a moment’s disorientation while the Doctor tried to work out why he was suddenly in the English countryside.

What had happened was this: he had been ripped out of one plane of existence and into another, as if someone had changed the channel. The world was no longer black and white, although the colour didn’t feel quite right to him. He scratched his head, and was alarmed at the sensation.

The Doctor felt the moptop he’d suddenly accumulated, and looked down at the checked trousers.

Ah.

He gazed around him at the scene: the brightly-painted houses lining the edges of an idyllic village square. People milled about, going into and out of buildings, moving with a stiff-legged gait. Most of them were too far away for him to see them clearly, but there was something about them that seemed off.

“This is another fine mess ye’ve gotten us inteh, Doctor.”

He turned to identify the voice, and found himself face to face with Jamie McCrimmon.

“Hello, Jamie,” he said. “Are you really here?”

“I’m as here as you are, Doctor. Wherever here is.”

“Some sort of English pastoral scene, I shouldn’t wonder. But none of it looks quite real.”

It didn’t. The buildings and the shrubberies, while brightly hued, lacked a level of depth. The colours were too vivid, the designs too simple, the flowers all identical and stiff, as if they had been cut from fabric and then glued in place. The people, too, were moving in a slow and almost robotic manner, buying fish and walking dogs and waving at passers by, and doing so in complete silence.

“And look at the locals,” said Jamie, as if reading his thoughts. “They havenae any mouths!”

So that was it. The Doctor wondered why he hadn’t noticed already, but now that he had, it was obvious: aside from the occasional moustache, the beady-

eyed villagers were featureless from the nose down. The effect was uncanny, and not a little unsettling.

“My goodness,” said the Doctor. “It’s extraordinary.”

“It’s creepy, is what it is.” Jamie was tutting. “Are you no gonna tell me what’s goin’ on?”

“I seem to have been forced to relive classic television series from the point of view of my previous selves.”

“What — all of them?”

“Mmm, well, at this stage I simply don’t know. Perhaps just the old favourites. Anyway, I’m hopping through time at the whim of some unknown entity or person, dropping in and out of programmes seemingly at random, accompanied, it would appear, by various friends and companions from my past. There’s no apparent pattern established as yet, so the best I can do is to leap through from programme to programme until I can find a way to escape.”

“That’s a shedload of exposition, Doctor.”

“Yes, Jamie, it was a big one.”

It went dark. Not after-sunset-dark, but partial-eclipse-dark: the sun (which looked, now the Doctor came to regard it, rather like the bulb from an angle-poised lamp) all but disappeared as a colossal head swam into view.

Jamie balked. “Would ye look at the size o’ that thing!”

The head spoke: its voice was booming but also very polite. “Here is Camberwick Green, where everyone is going about their business.”

“What’s that he’s speaking into?” Jamie asked.

“It’s a microphone. I think he’s — ”

The giant head opened its mouth again. “Hello, Doctor!”

“Oh! Oh, I say! Are you — ”

But the head wasn’t addressing him. It was addressing the bearded gentleman in the top hat who was climbing out of a vintage car. The Doctor looked at the car and felt a pang of nostalgia, which was instantly undone as the bearded gentleman walked toward him, brandishing a scalpel.

“Are you busy on your rounds?”

The bearded gentleman stopped, looked up and gave an exaggerated nod.

“Are you going to deal with the outsiders?”

Nod.

“And how are you going to do that?”

The bearded gentleman looked at the Doctor and Jamie with glowing red eyes. He brandished the scalpel.

“Oh,” said Jamie. “Oh, sh-”

***

Zap.

And now he was in a strange, slightly drab suburban house, minimalist and monochromatic, like an unfinished drawing. Cupboards and doors appeared to have been sketched, the lines carelessly contoured. Most annoying of all there was nowhere to sit, and apart from two long tables at chest height the place was all but empty. Some of the paintwork was gay, and a window looked out on a serene garden bathed in artificial light, but it really was the most cheerless room, a wooden box full of toys and a small bookshelf the only concessions to fun.

The Doctor looked down at himself, and nearly fell over the thick scarf he was now wearing, stretching up and around his neck at least twice and trailing out behind him like a multicoloured knitted wedding gown. It had the air of a garment that had been assembled by some elderly lady who’d got too enthused with her task and hadn’t known when to stop. Still, it would be handy in a cold snap, like a summer’s afternoon in Frinton.

The crown of his head felt warm. The Doctor loosened the hat he found up there and a mass of curls sprang out, wiry and unruly. Instinctively, he licked just behind his lips. “Hmm. I know these teeth.”

A door at the end of the room was opened by a young lady wearing a green cashmere jumper, a pleated skirt, and saddle shoes. At least she looked young, and might not have objected to the adjective. The Doctor happened to know she was only a hundred and twenty-six.

“Hello, Romana,” he said, all curls and familiar teeth.

“God,” she said. “This place is like an interior designer’s nightmare!”

“It is rather dull round the edges, isn’t it?” said the Doctor, knocking on the tables for signs of secret compartments, or woodworm. “Have you encountered any other life forms?”

Romana sighed. “Well, actually — ”

Hot on her heels was an impudent teenager dressed in mustard yellow. The Doctor’s heart sank. Here was a complicated and wearisome history he’d hoped never to revisit, even in a possible hallucination.

The teenager was in the middle of a ferocious argument with someone who was apparently not Romana. “For pity’s sake, I only asked if I could borrow it! Just for a moment! I want to work out where we are.”

He looked around, confused, as if having lost something. “Wait — where’d he — ”

An ugly, rugby-ball shaped creature that seemed to be made of felt suddenly popped up behind the table. Its eyes were large and frog-like, and bizarrely it had a many-toothed zip for a mouth.

“Well, you can’t!” it said, in a voice like an unfiltered Dalek. “It’s mine!” And then, as a sort of half-formed postscript, “I don’t like sharing.”

Adric folded his arms and regarded the creature contemptuously. “Well, if you’re going to be selfish about it then no one’s going to want to be your friend.”

“I’ve got lots of friends!” The creature waved the compass in its hand in indignation. “More than you.”

“What on Gallifrey is it, Doctor?” asked Romana. “And how did it just appear like that?”

“Yes,” said Adric. “How did you do that? You were right behind me when we were arguing upstairs.”

“Some sort of teleportation device,” said the Doctor. “Or perhaps it floats. Look.” He peered behind the counter. “It doesn’t have any legs.”

“Or genitals,” remarked Romana.

“Hey!” the zip-like creature said. “Do you mind? That’s private.”

It was at this point that the bear wandered in. He was six foot tall, with black beady eyes behind a mass of shaggy brown fur.

“Zippy?” he began. “Have you seen my — ” and then stopped. “Ooh! Visitors!”

“How’d you do?” said the Doctor, with a congenial smile. “I’m the Doctor, and this is Romana. Oh, and that’s Adric, squabbling with your pet.”

The bear looked momentarily blank; it took no visible effort. “Eh? Oh, Zippy’s not a pet. He lives here. With me, and George, and Geoffrey. They’re out at the dentist. George needs a filling done.”

“Yeah,” said Zippy. “Too many sweets.”

The bear wagged an accusatory finger. “You can talk, greedy-guts!”

“I never eat sweets!” Zippy cried. “I don’t even like them!”

The Doctor knew a lady protesting too much when he saw one, and was already fishing the bag out of his pocket. “Ah,” he said. “I suppose you won’t want a jelly baby, then.”

You would think it impossible for a pair of fabric eyes to light up, but somehow the zip-shaped thing managed it. “Jelly babies? They’re my favourite!” And, grabbing the bag in a three-fingered paw, he stuffed its entire contents into his mouth.

The Doctor regarded him, amused. “Well now, Adric,” he said. “It would seem congratulations are in order. We’ve found someone even more obnoxious and annoying than you.”

Adric rolled his eyes in the manner of an over-acting waif straight out of stage school. “Oh, fuck off, Tom.”

“So it’s just the two of you?” said Romana, anxious to change the subject before things escalated into a full-on brawl. “Here in this house, on your own?”

“Only for a moment,” said Bungle. “We’ve got a babysitter.”

“Yes,” piped up Zippy. “Actually, we’ve got three of them!”

From just outside, there was a chorus of “Hello!” and “Coo-ee!” and at least one “Bollocks, what have I stepped in?” The trio who walked in were all human in appearance, although the woman’s skirt was far too short for daytime children’s

television and the dungarees were the sort of fashion disaster the Doctor hadn’t seen since 1976.

“Seems Eldrad lived after all,” he muttered to himself.

“Hello!” said the bearded man. “We didn’t know you had company.”

“Oh, we’re just passing through,” said Romana, to which the Doctor added “Though we’re glad we stayed. You look to be a cheery threesome.”

The short-skirted woman went red. “Threesome? No, none of that,” she said, far too quickly. “We’re just friends.”

“We’re time travellers,” explained Adric, in the sort of patronising know-it-all voice that always got on the Doctor’s unmentionables. “Only, we got lost.”

“Hey!” the curly-haired young man who looked like he was eyeing up Romana suddenly piped up. “We know a song about getting lost, don’t we?”

“Ooh, yes!” The three of them came round to the front of the table into the big space in the middle of the room. “Shall we sing it to you all?”

“Please don’t,” suggested the Doctor, but of course it was too late.

Mirth-driven, minor-keyed synthesised muzak filled the room like the smell from fish that had been left in the sun for a week, and then Jane’s troubled soprano took up the narrative –

“I was driving to Milton Keynes one day
Saw Tony Blackburn, then drove the other way
But before I knew what was happening to me
I took a wrong turn off the A33

I was lost! Lost! In the English countryside
Found a jolly farmer and he took me for a ride
But we crashed into a haystack, and down on me he went
Couldn’t get him off, and his tractor shaft was bent – ”

“Doctor!” whispered Romana urgently. “You don’t take the A33 to Milton Keynes!”

“Lost! Lost! Oh, what am I to do
I’ve got into an accident, and I can’t find the – ”

Later, the Doctor would wonder where the music was coming from; there had been no sign of any speakers.

***

Zap.

The first thing to note was that he was completely naked. The Doctor scratched his head – which seemed much easier, given that it now had far less hair – and tried to work out whether this had happened before. There was that time in Madrid, of course, after Drax’s stag party, but —

He blinked and sat up. He was in the TARDIS. The console room gleamed like an army of fireflies sitting on the hem of a spangled evening gown in direct sunlight; the Doctor wondered whether he ought to turn down the brightness settings.

He felt his throat. Scottish, again. Shorter. His hand trailed along the floor and brushed against something soft and fluffy lying next to the console: a blonde wig.

From outside, he thought he could discern a jaunty melody; some sort of hornpipe. Then there was a knock on the door. “Five minutes, Mr McCoy!”

The Doctor panicked. There appeared to have been some terrible misunderstanding. Frantically, he looked around for his clothes. Didn’t he wear a v-neck? A v-neck with question marks?

Well, it wasn’t here. Scrambling together what he could, the Doctor headed for the exit just as the TARDIS door opened and a chirpy BBC voice said “the new Doctor Who, Sylvester McCoy!”

The Doctor blinked as he entered the blazing lights of the Blue Peter studio. That was the final straw; as far as the console room was concerned, he was going dark. Or had he already? It was a job to remember when you weren’t quite yourself.

For not the first time in this hallucination, the woman standing outside to greet him looked oddly familiar. She was going on about the Pied Piper.

“And what are you going to be wearing?” she asked him.

“I’m not quite sure yet,” said the Doctor. “It’s a secret.” He looked about, his eyes darting anxiously from left to right, for signs of an exit, or his actual clothes. At least the hat was right.

“And which planet are you going to be visiting first?”

Christ. What was this, Twenty Questions? The dog bounded over, wagging its tail. The Doctor hoped it was house trained.

“Do you want to come with me to my planet?” he asked, half-meaning it, half-wishing he could remember the name of the bloody place.

The interview over, the Doctor popped back inside his TARDIS in search of a stiff drink. There were footsteps — tap shoes on linoleum — from the corridor outside, and in walked a disgruntled redhead, wearing a leotard and a sour expression and picking what appeared to be blue ostrich feathers out of her bushy hair.

“Mel?” said the Doctor. “Where have you been?”

“The Pink Windmill,” was the reply. “Seriously. Don’t ask.”

***

Zap.

The Doctor and Rose — he in a leather coat, she in a crop top — were striding down a hill somewhere on a remote Scottish island.

“All I’m saying is, PC Plum is clearly gay,” Rose was saying. “And so is Archie. And they’ve clearly got eyes for each other. So why doesn’t Miss Hoolie see it?”

“Haven’t a clue,” replied the Doctor, cheerily. “Tangled webs of unrequited love are way out of my comfort zone. I’m more concerned about that signal.”

“That, and Miss Hoolie’s wardrobe.”

“She wears the same clothes. Every day!” The Doctor shook his head and examined the readings on his screwdriver. “I can’t imagine ever doing that.”

Rose fingered the hem of his jacket. “I bet you can’t.”

“Still. Balamory’s a catchy name.” The Doctor put away the screwdriver. “Should commit it to memory. Might come in handy.”

“Oh, when will you ever need — ”

From the bottom of the hill, at what looked like Pocket and Sweet’s, there was a sudden, violent explosion, followed by cries of “EXTERMINATE!”

“Contractual obligation of the Daleks!” The Doctor grinned. “Fan-tas-tic!”

***

Zap.

And now he was walking along the harbour of a fishing village on the Yorkshire coast and there was a man who looked like Wilf chatting to a woman who looked like Martha and a man who looked like the man who’d tried to sacrifice Donna to the queen of the spiders…

***

Zap.

A blank, white space, bright and featureless. A noise that might have been a tuning fork.

“God,” said the Doctor. “This is The Mind Robber again, isn’t it?”

“Not quite,” said a familiar voice.

The Doctor rubbed at his eyes; he could hear the click of heels on a wooden floor. The voice continued as its owner swam into focus. “There’s an old joke. The BBC only has thirty actors and about a dozen sets, all recycled. I’m wondering how many you ran into.”

“Well, I suppose I shouldn’t be surprised,” said the Doctor, getting unsteadily to his feet. “Hello, Missy.”

“Hello, dear.” The buttoned jacket was porpoise grey, the boots a dark yellow. “Have a pleasant journey?”

He was himself again; moreover, he was back where he had been, albeit on the other side of the room, away from the TV. “Where’d you get the tech? And where’s Clara?”

“She ate my last wine gum, so I killed her,” said Missy. “As to your first question, I built it myself.”

“You built an immersive television?” said the Doctor. “For what? Is this because they wouldn’t let you on Strictly?”

“Immersive!” Missy expelled a gush of air from the sides of her mouth. “You and your understatement. This is next level, sonny jim. We’re talking full engagement. People who believe they’re actually in the shows I assign them to!”

“Why would you want that?”

“Because it’s criminally expensive, which means the richest and most powerful people on the planet are going to be queuing up to have a go. What else do you buy the man who has everything?” Missy was wandering up and down the chamber, in that curious little dance she often performed. “Rock stars, premier league footballers… politicians.” She gave a wicked smile. “And once they’re in…”

“You’ve got them where you want them.”

“Bing! Gold star for the underperformer from Gallifrey. What you saw was the prototype; I just needed to run a few calibration tests to check the damned thing works. Tweak here, bit of wire twisting there… presto! I can have them say anything I want them to say.”

“So I’m your guinea pig?”

Missy pawed with her hands. “Squeak, squeak.”

The Doctor had been moving across the room, casually circling until he was next to the antique television, which stood in its mounted stand like a museum centrepiece. “The enduring appeal of television. God, talk about using their own weaknesses against them.”

The door at the end burst open; it was Clara with a fire axe. “Doctor! Doctor, I — oh.”

“I’m fine.” The Doctor greeted her with a raised eyebrow. “You look like Jack Nicholson.”

“Very funny.” Clara dropped the axe to the floor, where the blade embedded itself in the wood. “So what’s all this?”

“Never mind ‘what’s all this’; where’ve you been all this time?”

“I was gone for thirty seconds!”

“Ah.” The Doctor nodded. “It’s like Narnia, then. Felt rather longer.”

“I’ve just taken your boyfriend on a little trip,” said Missy, beaming nastily at Clara. “I think it did him good.”

“Bit inconsistent, though,” said the Doctor. “I mean it was — ”

“God!” Missy threw up her hands. “You’re such a fanboy. Always wanting stuff to make sense.”

“I just don’t understand why everything else was BBC, and then you had one, just one from ITV… ”

“Look. I like Rainbow, okay?” Missy leaned on the edge of the TV; she was glaring at him contemptuously. “You know me well enough to know my tastes are eclectic. Or are you losing your memory as well as your looks?”

“Ohh, no,” said the Doctor, taking a step back. “I have a long memory. In fact…”

He dropped a wink at Clara.

“It’s almost as long as yours.”

Hefting the axe, the Doctor threw it handle first at the big red button.

Missy was a foot the wrong side of the glass screen when it slammed to the floor. She hammered on it in a fury. “Let me out!”

“You’ve got a fire axe,” the Doctor pointed out reasonably as the static began to fill the room.

Too late, Missy remembered the axe. She picked it up and began to pound at the toughened glass, but even as the first crack appeared, the widening static enveloped her completely, and she was gone.

“Don’t worry,” said the Doctor to Clara. “We’ll get her out.”

“Yeah,” Clara replied. “In about… ooh, thirty seconds.”

***

Zap.

The Master looked at the forest in which he’d landed. It was impossibly sculpted, like a Capability Brown. Bright paths led here and there, and an ornately coloured bridge stood over a cave big enough for a small bear. The Master looked at the trees, some of the grandest he’d ever seen, and the brightly coloured birds that sang a strange song that sounded almost human.

He checked himself over. Blast! He was old. No matter. Age was no barrier, merely a temporary impairment. He would deal with the Doctor in due time, once he found a way out of these woods.

The Master walked across to the cave, noting the presence of two tiny houses, a large bush with three holes, and what looked very much like a hospital bed. He would deal with the alpha predator first, and then assume command of whatever hellhole he’d been cast into.

“I am usually referred to as the Master,” he announced, at the cave entrance. “Universally.” He stopped to wonder whether this was actually true, realised it wasn’t, and decided it was a matter for another time. “I come in triumph and in conquest, and you will obey me.”

There was a pause, and then a small brown fluffy creature ambled out of the darkness, carrying a sponge.

“Makka Pakka?” it said, and then, with a gentle, loving touch, it began to wash the Master’s face.

The Master sighed. It was going to be a long night.

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Chase The Shadows Away

It was a Wednesday, they were in London, and the quiet hum of the TARDIS engines was just about to be undercut by the sound of a ringing phone.

Clara made it to the console first. It was a game they played, on those rare occasions when someone called. Her relationship with the Doctor had begun with a phone call – come to think of it, so had his relationship with her, although it was a different phone and different planet. At least she thought it was a different planet; in truth Clara only half-remembered it, and it hadn’t actually happened yet. These things were complicated. He had been younger then, a quite different man in every literal sense of the word.

Now he was old and grey and often grumpy. There were days they saved the universe, and then there were days she felt like a glorified public relations officer. All too often, the days matched.

She lifted the receiver, ignoring the Doctor’s glare. “Hello?”

Clara blinked. “One second.” Handed him the phone. “It’s you.”

Frowning, the Doctor held out his hand. “Who is it?”

“No, I mean you’re – oh, just take it.”

The Doctor lifted the receiver to his ear, and then his eyes widened to an incredulous stare. “How did you get this number? Well, yes, I mean I know it’s mine, but – no, you’re not supposed to be able to call me! It breaks every rule in the – black hole? What black – never mind, don’t tell me, it’ll come out in the wash. Her? That was Clara. You know, Clara. You really don’t remem- how long’s it been?”

He paced back and forth next to the console, free hand darting over his temples. Now it was clawing at his hair. Making a yak-yak gesture, during which he rolled his eyes at Clara. She was goggling, although mostly at the phone cord, which was in serious danger of getting twisted around his neck.

“You want me to go where? Oh, them. Right. But why?…seriously?”

Concluding the call, the Doctor dropped the receiver in its cradle, with a little more force than Clara thought was probably necessary. “God, what an insufferable idiot.”

“That was you.

“Yes, well, I’m my own worst critic. How’s your Swedish?”

* * *

At the precise moment the door to the Stockholm studio burst open, Benny Andersson had been trying to do three things. First, he’d been trying to identify the strange vworp, vworp noise he’d just heard outside. Second, he’d been wondering whether it might be something he could sample and use as an introduction to a song he was working on (an as-yet untitled ditty about a post-apocalyptic wasteland inhabited by sentient snails). And third, his sense of recall was performing a desperate catfish through the rubbish bag that was his subconscious in an attempt to work out precisely where he’d heard it before.

His thought processes were interrupted by the arrival of a silver-haired man who looked to be in his mid-to-late fifties, wearing a purple blazer over a tieless white shirt buttoned to the collar, and the sort of expression that meant business. Benny wasn’t sure whether it was the hey-let’s-do-another-musical sort of business, or the accountants-with-folders sort. The second was not something he savoured. But this man didn’t look much like an accountant; he looked like the world’s dourest conjuror.

“Hello, you two,” said the newcomer. “How’s business?”

It had taken Benny two-and-a-bit paragraphs to remember he was not alone in the room. He glanced over at Bjorn, who had been in the middle of constructing a Lego model of the Big Bang Theory set. Bjorn built Lego sets whenever he was blocked. He also liked to pound a toilet brush against the rail of the balcony while singing the Lithuanian national anthem. This was a closely-guarded secret: there was always the possibility of paparazzi intrusion, but so far they’d been lucky.

Benny regarded the stranger with astonishment. “Who are you, and how did you get past security?”

The man was carrying a notebook; he opened it to a specific page and made a tally mark with a ball point pen. “And that’s…thirty-seven marks for opener number five,” he said. “That’s almost as popular as ‘Halt, you’re an enemy of the Daleks’.”

Benny was reaching for the phone on his desk when the stranger held up a single finger. Just wait. “Melbourne,” he said. “March 5th, 1977. You were trapped in your hotel room and curtain was half past eight. The incident with the mutant sponges.” The stranger leaned over the desk and offered a cheery, if slightly sinister grin. “Do you remember?”

Benny’s jaw dropped like a plummeting lift. He was too transfixed to glance over at Bjorn, but suspected he’d experienced the same reaction.

Doctor?” said the astonished Benny, after a moment.

“In the flesh. How’ve you been?”

“My god! That must have been…forty years ago!”

“Well, your maths is still good,” the Doctor mused. “Must be all the fish.”

“You’ve aged,” said Bjorn. “In fact your face is completely different. And you’ve got more…Welsh.”

The Doctor was affronted. “Scottish!”

“Right, right,” said Bjorn, trying his best to look abashed. “I always get those two muddled.”

“I like the jacket, though,” said Benny. “I never really cared much for those pinstripes.”

“So you remember?”

“How could we forget? We still talk about that night. We even did a song about it. The title track on our last album.”

The Doctor regarded him curiously. “I thought The Visitors was about Russian dissidents?”

“Well, you know. You have to code these things,” said Bjorn. “No one would have believed the truth.”

“So what brings you here?” said Benny. “So late in the day?”

“Yeah, do you need money?” This was Bjorn. “Only most of ours is tied up in investments, and – ”

“I need you to make another album,” said the Doctor, simply.

Benny and Bjorn’s jaws dropped almost as far as they had when the Time Lord had announced his identity. The Doctor heard something click in Benny’s face, and winced; he’d feel that in the morning.

It was Bjorn who recovered first. “I’m sorry, what?”

“I need you to record a new album. You and the girls. Well, women. Shouldn’t really call them girls. Clara’s always lecturing me about that.”

“Clara?”

“My friend. She’s gone out sightseeing, but she’d love to meet you both.”

“A new album?” Benny was rubbing his jaw. “Now? After all this – but why?”

“We left that behind a long time ago,” said Bjorn. “There’s a lot of water under that bridge.”

“There’s a lot of water under every bridge. That’s the purpose of bridges. They let the water move. Give you a sense of where it’s going, where it’s been. Bridges are brilliant for offering perspective.” The Doctor was walking around the room, gesticulating with his hands in the manner of an animated lecturer. “Unfortunately they only get you so far. Sometimes you just have to walk off the bridge and go down to the water.”

He was facing them now “Because it’s never too late to start again.”

“But still…why? Why now?”

“Because I’ve a feeling that in a few years, people are going to really need it. Specifically me. But also everyone else. You disbanded, what, thirty-five years ago? What have you done since?”

“We wrote an award-winning musical about chess and had cameos in Mamma Mia,” replied Bjorn, somewhat frostily.

“Yes, well. I mean apart from that. Besides, there’s another record inside you both. Well, all right, the four of you. You need the four of you, otherwise you’d just be ‘BB’.”

Benny regarded him with interest. Then he sighed. “They’ll never agree to it.”

“Then convince them. You’re good at the emotional stuff. And I refuse to believe – ” And now he was once more pacing the room, rummaging through cabinets, leafing through piles of papers, examining DATs – “that you’re not still writing.”

“We-ell…” Benny drew out the syllables like smoke rings. “We did have that one about the computer.”

“Don’t Shut Me Down?” Bjorn scoffed. “That’s going nowhere. The tune’s not bad, but the lyrics are terrible.”

“Our lyrics were always terrible. In any case, we could tweak it. Make it about something different.”

“Good. Good start.” The Doctor – who was now sitting in a chair opposite Bjorn’s desk – clapped his hands, then put his feet up on the table. “What else?”

Bjorn tried to ignore the lack of social grace. “There’s one about a cat witnessing an argument between an alcoholic woman and her husband.”

“Make it a dog. Dogs have compassion. Cats don’t care at all. Plus their claws are annoying.” The Doctor was well into his stride now. “Keep ’em coming.”

“We were playing around with Irish music; that yielded…possibilities. And there’s one called Keep An Eye On Dan – ”

“Dan? Who’s Dan?”

“We don’t know yet.”

“Well, find out.” He jumped up. “I’m not asking for a tour or anything. Just one more album. Go out smiling.”

Despite himself, Benny was smiling now. “You know what?” he said to Bjorn. “I really think we should.”

“All right,” said Bjorn, meaning it. “Let’s.”

The Doctor grinned. “Trust me, people will love it. Well, probably. The ones that matter.”

“We’d better get to work,” Benny said to Bjorn. “Find those lead sheets we did a while back.”

“Oh. There’s one more thing.” The Doctor was already on his way out, but he’d now turned back, Columbo-style, and was fishing a piece of paper out of his jacket. “When you’re done, send a copy to this chap. With a note that says this.”

Nothing about this made any sense to Benny, but that had been the pattern for this afternoon. And as the Doctor hurried out and then hurried back in again with a young, starry-eyed brunette on his arm, Benny sat down at the keyboard and began to play, wondering if this could possibly go anywhere at all.

* * *

Some time later, and in drastically different circumstances, the Doctor stood in the middle of a quaint pastoral scene on a ship where time ran at different speeds depending on where you parked.

It was appropriate, really, given that the passage of his own life was so difficult to measure. How long had it been? Chronologically, a few millennia. Maybe. He didn’t know when Mondas had started its drift. For him, it had been just over a thousand, most of it languishing outside Missy’s makeshift jail, scribbling lecture notes and occasionally assisting the Templars. That was assuming you didn’t count the several billion he had spent punching a wall. He never knew whether he should.

The Doctor stared out at the field and considered its random promises. Before him lay a pleasant rural backdrop, hedge-lined fields rolling away to pastured common land, bordered by forests thick with oak and ash and beech. Somewhere in the lower decks, aided in no uncertain terms by their convenient proximity to an event horizon, the Cybermen were evolving and rebuilding at an unprecedented rate, and it was inevitable that they would make a repeat appearance – almost certainly in a sleeker costume and carrying a far nastier gun. The Doctor had found he could do many things over the centuries, but even he couldn’t stop the passage of time – time, the enemy of us all.

It would likely be a bloodbath.

He’d worry about that later. Right now, he had a point to prove.

Nardole was still sitting outside the farmhouse, face hunched over the laptop, peering at it over the the rim of his glasses. Occasionally he would prod at one of the keys, almost with hesitancy, like a child discovering at the corpse of a woodland animal they’re not sure is dead. The Doctor wondered if he was actually dealing with the Cyber threat or playing Roblox.

He cleared his throat as he approached, and Nardole looked up. “Ah. There you are, sir.”

“How’s it going?”

“There’s still some lag on the payload delivery, but I think we can compensate. Hope we can, anyway. Otherwise it’ll be short and not very sweet.” The Doctor coughed. Nardole looked at him quizzically: the Doctor interpreted it (correctly) as his what-in-the-love-of-heaven-is-he-gonna-ask-me-now look.

“The, um. The thing. There was a thing I asked you to look after. Some time ago. Had it sent to you. Only I don’t know about it until now, which is when I’ll ask you to give it to me.”

Nardole’s eyes were momentarily blank. Then somewhere inside his head a penny dropped: if you listened carefully, you could almost hear the clang. “Oh, that!” he said. “Yeah, been carrying that around with me for months. Bit random, though. Can’t think why you’d want it.”

He fished into his jacket pocket and produced a small flat cardboard sleeve, not quite square. “Had a note attached, said ‘Keep it with you and don’t tell me.’” The Doctor took the sleeve, staring at the cover artwork: the dark brown of space, a star poking over the edge of an unidentifiable planet.

He found himself nodding in approval, which prompted Nardole to say “I take it that this is somehow important?”

“Depends on your perspective.” The Doctor was reading the back of the case. “Either way, thank you. Particularly for keeping it secret.”

“All part of the service.” Nardole resumed tapping at his laptop. “I mean it’s probably pushed something important out of my head, but never mind.”

The Doctor grinned as he walked away. “Have a look down the back of the sofa. Things have a habit of turning up.”

“Back of the sofa,” Nardole muttered to himself, but there was humour in it.

* * *

The Masters – both of them – were leaning against a stile, watching a cow.

“Do you ever wonder,” the bearded one was saying, “about the Matrix?”

“The one on Gallifrey?” said Missy.

“No, that terrible science fiction film.” The Master shifted his stance; the wood was itching. “I saw it, back when I was running for Prime Minister. And it struck me that if you’re going to have some sort of rogue AI conquer the world, you really don’t want to use humans for a battery source.”

“Why not?”

“They’re impetuous. They don’t listen. That’s the whole point of the film; people are never happy with what’s given to them. Whereas if they’d used a cow – ”

“There’d have been no rebellion.” Missy finished the thought. “The cow wakes up immersed in liquid, it’s a bit confused, they plug it back in, it’s none the wiser. It just eats grass all day, perfectly content.”

“Plus,” said the Master, “cows are big. You’d need far fewer of them, which makes administration much easier.”

“Yeah. They could call it the Mootrix.”

“Good title,” offered the Master. He turned his attention to the Doctor, whose boots made soft prints in the evening grass. “Oh, it’s you. Whatever it is, you can lift it yourself.”

“Actually, no.” The Doctor scratched the side of his nose. “I came back to check something. The conversation we had earlier.

“That?” the Master sneered. “Why are we revisiting that?”

“Something you said. I asked you about the odds of beating the Cybermen.”

“And?”

“What’d you say?” The Doctor stood, arms folded, biding his time. “I mean your exact words.”

The Master eyed him contemptuously. “I said it was about as likely as an ABBA reunion.”

“Yeah.” The Doctor fished into his pocket, and then placed the CD into the Master’s outstretched hand. The Master rolled it over. “So? Some kind of bootl – wait.” He was examining the date. “Why didn’t I know about this?”

“They reformed.” The Doctor wore the merest hint of a smile. “New album. Nearly forty years after the last one. Even managed a tour, of sorts.”

“Did they do that song about the gorilla?” Missy was leaning over the Master’s left arm, reading the track list. “I always liked that one.”

The Master glowered at her. “Not helping.” And then, turning back to the Doctor: “This is fake.”

“I’ll think you’ll find it isn’t,” said the Doctor.

“Then why didn’t I know about it?”

“Oh, well, you’re a busy man. Slash woman,” the Doctor added, acknowledging Missy. “You can’t be on top of every temporal anomaly.”

The Master thought this through for a moment, internal cogs whirring in a blaze of tempestuous logic, and then he pointed at the Doctor with an angry finger. “You cheated!”

“That’s one way of looking at it,” the Doctor smirked. “Either way, I get to win this one.”

The Master threw the CD to the ground, and then stomped off. The Doctor dropped to a low squat to pick it up, brushing away the flecks of dirt. “Litterbug.”

“So what was that?” asked Missy, who’d decided that if her counterpart wanted a sulk, he was on his own. “Other than a bit of metaphorical tackle waving.”

The Doctor’s eyebrows shot up. “You can talk.”

“I can, actually,” said Missy, hand on her hip. “But in all seriousness, you did that by contacting your earlier self, right? How’d you even manage it?”

“It’s the black hole,” said the Doctor. “Bends time. Means the phone works. Kind of.”

“And you rang…you.”

“An earlier me. Got him to pop over to Stockholm. Called in a few favours.”

“Then why in God’s name didn’t you get him to help here?” Missy was incandescent with disbelief. “Bring the TARDIS over? Trigger a meltdown? Be a lifeboat? Anything?”

“Because he never did,” the Doctor explained. “Or rather, I never did. I’d have remembered. We can’t cross the timeline, Missy. You know that.”

“So what was the point, then?”

“I don’t know. Fun, maybe? It’s been sorely lacking round here these past few weeks. Maybe there’s nothing actually wrong with spreading a little joy, even if things are rubbish and we’re all about to die horribly. And besides…”

He moved just a little closer, and dropped his voice to that low, measured tone he adopted when he wanted to be serious. “I wanted to show him that even when you’re certain of the outcome, the universe has a way of surprising you. And that people change, even though they don’t always want to.”

For a moment, Missy said nothing. Then she glared at the Doctor. “You think you know me.” And with that, she turned on her heel and stomped off in the direction the Master had taken, in the futile hope that the Doctor hadn’t seen her lip trembling.

He watched her go. Wondered if he could have handled the conversation better, and decided that it didn’t matter. It isn’t about how much water you put on the seeds you plant, he realised. They grow when they’re ready. And sometimes you don’t get to see.

A snatch of remembered melody drifted into his head. Can you hear the drums, Fernando…?

The Doctor walked back across the field. Perhaps Bill was awake.

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The Figures Mash (part 2)

Hello! And we’re back with more plastic idiocy, this time taking in classic movies, TV shows and even the odd video game. The Thirteenth Doctor features quite heavily. I make no apologies.

First on the roster: two wizards, taking the baby for a walk.


Yes, I really did take them all the way to London just to do this.


“RUN!”


Time Lord video game sessions.


“Look. If you’re gonna cheat, I’m not playing with you.”


“Special delivery, sir.”


“Yeah, no idea who it’s from.”


No caption needed.


The Twelfth Doctor’s series 11 hair.


“FOR GOD’S SAKE, KEEP HIM AWAY FROM THE CONSOLE!”


Lockdown board games.


Edward set this one up.


“DUGGEE HUG!”


“We should probably dig her out.”
“Eventually.”
“Yeah, when we’re ready.”


More of the same next time!

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The Figures Mash (part 1)

There is a book on my shelf that makes the list of Brilliant Charity Shop Finds of 2017. Entitled Figure Fantasy, it celebrates the work of Daniel Picard, who has turned the careful posing of costumed action figures into what is quite literally an art form. Here’s the Man of Steel etching “BRUCE WAYNE IS BATMAN” onto a wall with his heat vision. Here’s the Hulk bending a tree. Here’s Darth Vader propped up at a urinal, the toilet walls lined by stormtroopers anxiously trying to incline their heads in the opposited direction. Look him up; the guy’s a genius.

I do not have Picard’s photographic skills, swanky lighting or creativity. I also don’t have the time or the patience. I have trouble enough getting the ruddy things to stand upright on concrete without wobbling in a summer breeze. However, I do have a decent-sized garden and the occasional good idea. Which has meant that as the children have got older, and the tendency to re-enact the finale of ‘Blink’ recedes somewhat, our playtime sessions have been replaced by impromptu photos in the garden. “Give me a Capaldi,” I’ll say in the manner of a concentrating surgeon or experienced mechanic, not taking my eyes from the scene I’m semi-meticulously assembling. “Dalek. Cybermen. Damn, we’ve got a wobble. Blu-tac, quick! CAN I GET SOME HELP IN HERE PLEASE?!”

Look, Doctor Who toys deserve to come out of their plastic packaging, all right? I can’t understand – truly I can’t – the mentality of people who buy them simply to have them, in order to build up a collection that does nothing except gather dust, a factory line of plastic David Tennants that sit permanently bubbled in cellophane, their tiny arms and legs bound with those irritating little cable things. Oh, they’re worth more, are they? What’s worth? How do you measure that?

So one of my Angels is missing a wing and Morbius’s leg has a tendency to drop out of its socket unannounced, but at least they get used. And such is the extent to which I have neglected this blog this year that we have a whole stack of unposted pictures, enough for a small exhibition, all hastily composed and all equally ludicrous. So this week and next, while you’re all drumming your fingers waiting for ‘The Halloween Apocalypse’, I’ll stick them all out here.

We’ll start with this one.


“Oh great. We’re back on Trenzalore.”


Unused Fourth Doctor stories.


“Right. I don’t want to panic anyone, but there’s a leek in the boat.”


“Interesting look, Frobisher.”


Now showing on Britbox: Doctor Who and the Revenge of the Killer Tomatoes.


“Hello, old friend. And here we are, you and me, on the last page.”


“Seriously. You’ve been out for like a month and a half. Don’t you think you can stop doing that now?”


“When this baby hits eighty-eight miles an hour, you’re – GREAT SCOTT!”


“I’m sure you’ll get the…point, Doctor. He. He he he he.”


The Doctor and Graham get caught up in a game of Tetris.


“Hey, anybody seen a – you know what, never mind.”


“So. We meet again, Great Intelligence.”


“Uh…she did it.”


More of the same next time! Enjoy your week.

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Have I Got Whos For You (Euro 2020 edition)

You’ll have to have these largely without comment, I’m afraid. I mean we lost. We lost and the fans are thugs. We lost and the fans are thugs and Rashford and Saka got a shedload of abuse, empowered by our corrupt, inept government. The sort of government who goes to Harrods for sofa covering and Poundland for flags.

I mean it started quite well. We made it to the semi-final without conceding a goal. Early on – the day of the first group match, when the leaked lineup caused consternation (too defensive, and WHERE’S GREALISH???) – I’d tweeted suggesting that it was possible, just possible, that Gareth Southgate knew more than we gave him credit for, and that perhaps the #Southgateout abuse was premature. I received a flurry of replies, some of which were supportive, others less so, but I made a point of muting anyone who disagreed, simply because I didn’t feel qualified to argue back. Weeks later all the naysayers were suspiciously quiet, although I stopped short of turning it into a pinned tweet, simply because the final was as far as the team got, and you’d still have a bunch of people telling you that they could have done a better job than Southgate did.

So, you know. Don’t give them the inch they crave. Thank heavens we don’t get this in Doctor Who.

It was those early games that were perhaps the most hotly contested, given that we were doing…well, reasonably, against less than stellar opposition. It was more about the spectacle than the quality of football, given that the much-hyped second group match – the British derby against Scotland – was touted as the epic confrontation between two rivals, with hundreds of years of history behind it. I mean I get that the Scots hate the English, but I don’t think it works the other way round. Not really. We know that Braveheart is made up and we don’t judge you for it. And who doesn’t love a good haggis? In the end, of course, it was a goalless draw, and not a terribly interesting one to boot, with all the bloodlust and hatred north of the border conveniently shelved until the angry tweets after the semi-final, and let’s face it – we all know that’s really just a preamble for the Six Nations.

“Three Ryans on a shirt…”

The semi-final, of course, was where the controversy kicked in – with England thanks to a soft penalty, Kane bouncing in the rebound after Kaspar Schmeichel deflected the ball but failed to catch it. It was a crummy way to win and you did feel sorry for the Danes, who’d nearly reached the end under some very trying circumstances, but to be fair to them England were denied an obvious penalty earlier in the match, so it’s swings and roundabouts. “Sometimes it goes in your favour,” quoth a wise man, “and sometimes it doesn’t. And if you add them all up over the season, they balance out.” Said wise man was Alex Ferguson, who knows a thing or two about football, as well as being Scottish.

Really, the controversy in that semi-final was caused by a laser torch that appeared to be pointed at Schmeichel during the penalty in question, although it supposedly didn’t affect his performance and it was in any case impossible to tell where it was coming from.

It ended in tears, with violence and thuggery following a game played by sportsmen who’d conducted themselves with dignity: the team deserved a win, even if the fans didn’t. Could we say Italy played dirty? Perhaps.

But even if they hadn’t, there were mistakes made and some questionable tactics that I don’t really understand because my area of expertise is dramatic structure, not sport. I do know that I felt a sense of pride – not in my country, as such, but simply in the team, and the manager who’s become the best sort of role model for the young men on the pitch and the children watching at home; eloquent and considered and rational and graced with more dignity and compassion than a hundred political buffoons. I’m mindful of the fact that children my sons’ age look up to sportsmen, and for the first time in a long while that doesn’t worry me. You can lose graciously, which is kind of like winning, even if you don’t get to lift the trophy.

Still, at least we’ve got the Olympics, right? Something else they had to postpone until after lockdown.

Everyone seems to know the score.
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Occupy White Walls Does Doctor Who (part two)

Last time we spoke, I was telling you about art. Well, not art so much; more the practice of curating it. There are probably rules to this, although I’ve never bothered to learn them; it’s more a matter of common sense. Bench positioning is crucial. Watch your lighting. Galleries with wallpaper are a gamble: everything looks better on white. You need to make the most of blank space, to hang with care and consideration, allowing the artwork room to breathe.

I can’t remember at which point I decided to build a TARDIS interior, but it made perfect sense. Here was a space you could fashion from the ground up with walls and doors placed more or less wherever you want: the notion of a space that opened out onto a seemingly infinite expanse was actually quite easy to do. I called it, for want of a better title, @biggerontheinside.

What I really wanted was to do a nice sort of walkthrough where I film myself wandering around the place, telling you all about it. But my ageing PC is simply not up to the job, and the 7 FPS bit of test footage I managed to cobble together was enough to convince me that this was, at least for now, a terrible idea. I may rethink a little further down the line – everyone likes videos – but for the moment you will have to put up with still images and a bit of narrative from yours truly.

We start out in the Twelfth Doctor’s study.

Well, sort of. You can get a vague idea of it, can’t you? I mean there are bookshelves and wine bottles and a desk of sorts, although it’s way too big. The mirror over at the far end is a teleport that leads you back to my main gallery, and the window beside it overlooks a pleasant little courtyard. But it’s the blue wall in the corner you need to look at. As entrances go it’s pretty terrible, but it’s where the magic begins.

The main console room, if you hadn’t guessed, is designed to be a variant of the one Capaldi was using. You can’t easily do round rooms in OWW, but it sort of works, particularly if you’ve got one of those fish-eye effect filters on your phone. The main problem was assembling a central column which had a sufficiently convincing time rotor, or at least something that might pass as a time rotor. I got round it by using a tree.

Dotted all around the TARDIS are little passive-aggressive exchanges between the Doctor and Nardole. I realised they’d spent about a thousand years together, so they’re basically flatmates. This first one is a nod to ‘The Pilot’.

Can I say at this point that I was really quite pleased with the corridor lighting? It isn’t often you find something in OWW that just fits what you’re trying to do, but this one really gels.

Wander a little further along and you’ll encounter the library – specifically the one Clara wanders into during ‘Journey To The Centre of the TARDIS’. You can’t see it properly here, but it’s a vast, multi-levelled thing, and thankfully nowhere near the swimming pool.

It’s no great secret that ‘Journey’ ranks among one of my least favourite episodes – seriously, it’s a great big turkey of a tale – but it did provide me with a fair bit of inspiration for this little collection. One of the silliest things about the episode was the Architectural Reconfiguration Suite (you remember, the one with the Stuff That Can Make Other Stuff), but I’ll go out on a limb – pun intended – and admit that it was quite fun to build. Lighting is very resource-hungry in OWW, but I managed to pull this off without overloading the system. You know, apart from the crashing.

Now we get to a bit that’s entirely made up. It occurred to me, fairly early on, that I really ought to put some actual art into this place, and thus I came up with the idea of the Memory Garden, a place in which the Doctor stores paintings and mementoes of his previous exploits, sort of like the Batcave. This is half Oxford college quadrangle, half National Trust driveway.

I tried to make sure that everything in this room had at least some Doctor Who connection, no matter how tenuous. This is the ‘City of Death’ pillar; Van Gogh has one all to himself.

When you examine a piece of art in the in-game AI, you have the opportunity to leave comments about it, both positive and negative. That photo on the right has a thread full of people saying “DON’T BLINK!”

‘Journey’ wasn’t the first Doctor Who story to feature extensive exploration of the TARDIS. We also saw a fair bit in ‘The Invasion of Time’, although for some reason in that story the corridors resembled an abandoned hospital. Still, wander down the stairs in my TARDIS and you’ll discover a whole basement full of nods to this particular story. Here, I’ve tried to recreate the Undergallery.

Baker didn’t always hang out in the white room. At times he favoured a secondary chamber done out in panelled wood, and that was an opportunity to try out something a little different. As I think I mentioned before, console rooms are a pain in the neck to do, because it’s extremely difficult to build a hexagonal structure, so this will have to suffice. At least the wood is convincing.

Just along the corridor from the secondary console room was the botanical garden, as seen in ‘Invasion’. There are a lot of plant and tree assets in OWW, so I made the most of them. If it looks a mess, that’s deliberate.

Perhaps the bit I’m most proud of is the swimming pool. It’s not the one we saw in ‘Journey’ – that dimly lit Olympic sized one that Clara witnesses as she’s wandering the corridors, although I daresay I could have had a go at that if I really wanted. No, this is the one in which Leela takes a plunge just before they head back to Gallifrey at the beginning of ‘Invasion of Time’. It’s a more little art deco than it was on TV, and I don’t know why the Doctor’s built a sauna at the far end, but ours is not to reason why.

I may have mentioned before that the default floor in OWW is water. So it was dead easy to build a pool: you just create it at ground level and the water is filled in for you automatically. See the mosaic on the right? I built that, tile by tile. It took ages, but as with everything else in this inconsequential little vanity project, it was totally worth it.

And that’s your lot. I’m still building in OWW, irregularly, but the latest project is going to be a long time coming, given that it’s a full scale recreation of Portmeirion, as seen in The Prisoner, right down to the plastic bubble on the beach. When it’s done, you can see it. Until then? Be seeing you.

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Philip

We were in the car. I was gearing up for the triumphant final chorus of ‘Baker Street’ – you know, that incredible moment when you’re expecting the sax again and instead you get Hugh Burns’ guitar solo – when the radio went dead. This isn’t entirely out of character for Jack FM, who, while generally pretty reliable given their dependence on pre-recorded announcements and a queue of MP3s, are not averse to the odd bit of dead air. I tutted in annoyance, and carried on up the A34.

A minute or two later the tuner kicked into life again, only instead of bombastic voices spouting innuendo and bad puns it was two people having an actual conversation, something that simply doesn’t happen once the breakfast show’s finished. I caught the words ‘world tour’ and turned to Daniel. “Google Prince Philip,” I said.

He did, and then announced “Ah. Yes, he’s died.”

No more Gerry Rafferty, then. Instead we got all the stuff the BBC have kept stored on that petabyte hard drive for Operation Forth Bridge (presumably so named because it never seems to bloody end). We had the tributes, the historical documentaries, the archive footage, an entire afternoon’s worth of half-mast flags billowing in the breezes of early spring, and of course that inevitable bit when every single political commentator and writer and religious figure they could get without breaking Covid regulations crawls out of the woodwork to have a chat, saying almost precisely the same thing that the last person did. Meanwhile the only network channel broadcasting anything else is CBeebies, and even then people were complaining, either because a ‘BREAKING NEWS’ banner took up the bottom third of the screen or because Mister Tumble wasn’t wearing black.

“Yes, I know you don’t like the colour. But the BBC are putting their foot down, and it’s just for a couple of weeks.”

I know the Facebook groups well enough to leave the subject of Prince Philip well alone, particularly since the Harry and Meghan interview that seems to have damaged Anglo-American relations to an extent not seen since the Boston Tea Party. I don’t know, I assume it’s because Meghan’s one of theirs, and therefore any hostility she encountered within the Royal Family must have been racism or xenophobia or a little bit of each. It’s not at all possible that she didn’t get on with people simply because no one really gets on with their in-laws. Depending on what you read, Meghan Markle is either a strong, independent and blameless woman who’s become a victim of racist bullying, despised by the establishment because she didn’t fit the mould, or an opportunistic prima donna who was awful to the palace staff, contemptuous of Kate Middleton and whose modus operandi was to drive a wedge between Harry and his brother.The fact that the most likely reality is an awkward combination of both does not seem to have occurred to anyone, at least anyone who reads the papers, but I suppose the world is so much easier when we can view it in black and white.

Anyway. I watched one thread crumble into a horrendous argument between people who thought Prince Philip was a national treasure and people who thought he was a bigoted racist, and found myself wondering whether it was in fact possible to be both, and whether people’s faults do not eradicate their humanity; nor should their good qualities prevent us from addressing their flaws. No one is either fully good or fully evil, and Doctor Who fans should know this as well as anyone; still, it’s quite an eye-opener when social media reduces any sort of sensible conversation to an us-and-them slanging match where you’re either on one side or on the other, and as awkward as they are to read and moderate they do serve as a timely reminder that most people in the fandom aren’t nearly as enlightened as they’d like to think they are. It only takes the death of a contentious figure to bring out the ugliness in people, and if there is one thing I’ve learned it’s that while it’s not always possible to be kind, it is comparatively easy to at least be silent.

Anyway. There we were, mid-Saturday, wandering around Legoland (which we booked long before the prince shuffled off his mortal coil), me having completely ignored my own lesson about kindness when I was shouting at the kids to get ready at eight o’clock that morning, because “every minute we waste here is ten minutes in traffic”. I needn’t have bothered. For all my fears about gridlock and hordes of crowds lining streets they’d been instructed to avoid, the streets of Windsor were all but deserted, and it seems that for once people actually listened. Well, most of them.

“Oh,” I said, scanning the news. “There’s a topless woman been arrested outside Windsor Castle.”

Emily snorted. “Is it Barbara?”

“Too soon…”

They stuck the Legoland flags at half mast and apparently things went off without a hitch. I didn’t watch it. I didn’t even read about it. I don’t want to hear from body language experts and lip readers and disgraced butlers. Families get the right to grieve in private, even the ones we pay for. My father tells me they dropped the coffin into the floor so it could be taken down to the vault, which gave me the idea of being cremated at Blackpool Ballroom so that they could lower my coffin into the floor with the organist.

“At least you watched it,” I said. “Mum would have been pleased you watched it. You were never one for the pageantry.”

“Ah,” he said. “But no one does pageantry like the British.”

Which is probably true.

“You’re supposed to be holding a minute’s silence, not a minute Silence.”

Anyway. What do I do at times like this? I head over to Fireworks and do a bit of image manipulation. And for this I have ransacked – I admit with a certain amount of shame – the glossy photo special in the Daily Mail. Only now Prince Philip’s all over Doctor Who instead. Which is probably OK; I mean the Queen’s a fan.

I declare this thing open, whatever it is.

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Have I Got Whos For You (edition speciale)

Everybody enjoy the Bank Holiday weekend, then? Sally Sparrow did.


Before we go any further, I am saving the Prince Philip stuff. It’s coming later. In the meantime you will have to put up with pop culture instead, because I’ve gone through what I’ve collected for this morning and that seems to the be the common thread.

We start with Line of Duty – a show I have never watched, never intend to watch and hold absolutely no interest in, but even if you don’t tune in it’s hard to escape the buzz on social media. This last episode seems to have been all about killing off major characters and dropping in monumental cliffhangers about the identity of chief (heretofore unseen) villains, and how they might be related to people we know. I think. I mean I’ve not actually watched the damned thing. All I do know is that Ted Hastings has been trending for the last week, and it’s going to go through the roof if they actually kill him off.


Talking of Doctor Who (because that’s mostly how we roll) there’s a rumbling of intrigue from the fandom as they unveil the new trailer for The Suicide Squad, the upcoming sequel to 2016’s imaginatively titled Suicide Squad. I am trying to work out the logic behind this – it sounds a bit like releasing Empire Strikes Back under the name The Star Wars, as if dropping in a definite article is enough of a distinction. I mean aren’t people going to get confused? I know I already am, and I understand grammar.

Fun trivia: I once spent half an hour at a housewarming party listening to an argument between two roleplaying geeks who couldn’t agree on whether the first Star Wars film is called Star Wars or A New Hope. It was tremendously enjoyable to watch, although I still can’t remember how, or even if they resolved it. At least they weren’t arguing about Star Trek Into Darkness. We’d still be in that lounge.

Anyway, there’s been a fair amount of talk about Capaldi’s hair, or lack thereof, and it does seem that the Twelfth Doctor is imitating his style.

He looks like he’s got half a dozen screwdrivers embedded in his skull, which presumably happened after a particularly ferocious argument with River. Or maybe it’s a fetish thing. You pick. And with speed, please, because I’m now actually thinking about this instead of merely writing it down. Oh god.

Anyway. Speaking of Star Wars, the casting for the Obi Wan Kenobi spin-off looks absolute shit.

(I’d love to say I had a few people who thought this was real, but the sad truth is that they didn’t get it. I guess my sense of humour is just a little too vague sometimes.)

Easter interlude!

You won’t have failed to notice, if you were following international news a while back, that a boat got stuck in the Suez Canal, presumably as a result of a bet as to whether its helmsman could manage a three point turn. It was there for weeks as the authorities tried everything to loosen it, including rubbing a bit of WD-40 on the hull, but without success, as the world and its neighbours all came along to have a look.

“For the sixteenth time, we’re not blowing it up.”

More movie news, and the revelation that a familiar face is to reappear in the upcoming, much anticipated Ghostbusters: Afterlife has prompted Doctor Who fans to scour through old episodes to find out what he’s been doing all these years. And lo and behold.

Anyway. For me, after weeks of kicking around, this is ending on something of a brighter note – because lockdown is more or less done with, kind of. We still can’t stay anywhere, and when we visited Chessington yesterday the Gruffalo ride wasn’t open, but I may actually be able to go back to work soon – and at least I can go out on a Friday and visit somewhere that isn’t B&M. Along with, you know, just about everyone else in the country.

“Listen, I’d love to stay and chat, but Primark’s about to open.”

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The Smallerpictures Video Dump (2020-2021)

My YouTube channel quietly turned ten years old in January this year. I’d completely forgotten until I noticed the date. It all started because of a TV show that Emily and I had watched one evening, and which we decided to make a little less scary by adding Michael Crawford to the mix. So when John Hurt is bothered by rattling doors, self-moving furniture and things that generally go bump in the night, it’s because he’s got Frank Spencer standing outside in the corridor. If you’d really like to know more, you’re welcome to watch the video that started everything off, although personally I’d prefer it if you went straight to its remastered equivalent, which is considerably slicker on the editing front.

Anyway: I’m still producing video content, although I’ve slackened off a little of late to get this novel finished. But every so often an idea comes up, and every so often I’ll be sat at the keyboard, frantically moving frames, replacing dialogue and saving the thing every ten seconds in case my software crashes (which happens a lot, alas). And there’s still a channel and while it’s never going to reach Mr Beast’s level of popularity, I remain quite proud of the body of work I’ve accumulated over the last decade. Here’s some of the stuff I was working on last year.

1. What Did The Doctor See Outside The TARDIS? (August 2020)

When we look back at how we handled Covid, and the people who got us through it, then Pip Madeley is likely to be featured in the list of heroes. Pip is great – amusing, naturally talented and one of those fans who just gets it, realising that the best way to enjoy Doctor Who is to actually enjoy it, preferably without taking either the show or yourself too seriously. And it was with this attitude in mind, presumably, that he came up with an ongoing series that entertained us all during those first few months: namely ‘What are the Movellans watching whilst in lockdown‘?

There were tons of them. Stuck on that spaceship the Movellans have been watching Eastenders, old commercials (many of which starred Who alumni) and even the train wreck that was the 50th anniversary afterparty, specifically when Jo Wiley tried to talk to One Direction over a satellite link. There were things on there we’d never seen before, and a bunch of stuff we’d not seen in years, rendered all the more ridiculous when mixed with gaping stares and stunned silence. Pip followed it up with a series set in the Big Finish car park.

Anyway. Fast forward (or rewind; time is relative) back to August last year and a limited edition series that I launched over ten days, which saw Peter Capaldi reacting to a bunch of different things when he was looking for Gallifrey at the end of ‘Death In Heaven’. They were easy to do, once I had the template, and quite a lot of fun into the bargain; the toughest part was working out the optimal order in which to sequence them. The one I’ve embedded below basically sets the pattern, but if you really wanted to you could watch the whole thing on YouTube – that said I particularly recommend day four, day eight and, if you watch nothing else, day ten

2. The Lodger: Alternate Ending (October 2020)

Question. Can you take the scene where they’re running out of the flat-that’s-really-a-spaceship during the closing scenes of ‘The Lodger’ and splice it together with the bathtub descent in Paddington? Answer: no, you can’t. Not really. Not without looping the audio, which makes for a rather sloppy edit. But it had been ages since I’d done a video so it was the best I could manage at the time. In any event it gave a few people a few laughs, and that’s really only the ever reason why I do this.

3. The Handforth Parish Council Does Doctor Who (February 2021)

Well, this one exploded a bit.

My father worked as a clerk for a local council for some years, and he can testify as to the fact that what happened in Handforth – whilst going inexplicably viral early this year – is actually fairly typical for the sorts of things that go on at Parish Council gatherings, whether they’re happening in the flesh or online. There’s a kind of neutering effect to it. “It’s local politics, James,” he explained, “and many of the people who are involved wanted to be high-level politicans, but couldn’t, because other things got in the way, and so they have to test out all their high-scale dramas in small-scale meetings”.

It’s my view that no one comes out of the Handforth debacle smelling of roses – Jackie Weaver has been hailed the hero of the hour, and did the only thing she could under the circumstances, but the expelled councillor may nonetheless have been right to raise the objections that he did. Nonetheless the whole thing is wonderful to watch, whether it’s the misplaced order about standing orders (the remark on Jackie Weaver’s lack of authority has become the chief soundbite to be memed, but “READ THEM AND UNDERSTAND THEM!” has run a close second), the woman who forgets to mute herself while she answers the phone, or the whole disjointed pausing and talking over each other which is a staple part of every unedited Zoom call, but which in this case lent the whole sorry saga an extra layer of awkwardness.

This wasn’t the first Doctor Who video on the subject – nor was it necessarily the best – but I do think it more or less works. And while I’m not attributing its surge in popularity (at least by the standards of my usual hit count) as anything other than a general public fascination in all things Handforth, it was nice to get a hit count that made it out of double figures. If nothing else it’s an improvement on the original scene, which was dull as ditchwater. Plus Jackie Weaver gets to be a Dalek. What’s not to like about that?

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Have I Got Whos For You (edition 66)

Funny what she gets up when she thinks the cameras are off, isn’t it?

How do you do, fellow teenagers? I don’t have a single meme about Harry and Meghan; if you’re anything like me I imagine you’re heartily sick of the whole thing. This is a world of heroes and villains and ne’er the twain, it seems, shall meet: depending on who you talk to, Meghan Markle is either a strong, independent and blameless woman who’s become a victim of racist bullying, despised by the establishment because she didn’t fit the mould, or an opportunistic prima donna who was awful to the palace staff, contemptuous of Kate Middleton and whose modus operandi was to drive a wedge between Harry and his brother.

The fact that the most likely reality is an awkward combination of both does not seem to have occurred to anyone, at least anyone who reads the papers, but I suppose the world is so much easier when we can view it in black and white. No one likes an ambiguous, well-crafted villain with redeeming features. They want someone they can boo and hiss at. Anyway, enough. It’s way more complicated than I have time to discuss in this silly little blog.

We seem to have missed a few things, like St. David’s Day.

Or Valentine’s Day.

Or Pancake Day.

One of the big bits of Doctor Who news, of course – something we found out on New Year’s Day, immediately after the live broadcast (which I wasn’t watching, meaning I got to find out about it on Twitter) concerned the imminent arrival of incoming companion Dan, set to make his debut in the autumn, or whenever they get round to airing series 13. Dan’s a scouser, and you have absolutely no idea how difficult it was not to make jokes about nailing down bits of the console, but as it stands I managed to keep my humour contained. More or less.

News broke quite recently of the dissolution of Daft Punk, the dance hall stalwarts who’ve been making music together for nearly thirty years, and who’ve produced a shedload of songs that I’d forgotten they did. I do remember, some years ago, an appearance at a festival by Wurzel-esque comedy band Folk On, who were on fine form as ever but who managed to have everyone jigging along in the mud when they sang “We’re up all night to get some (milk!) / We’re up all night for good fun / We’re up all night to get folky…”. It’s a sad day for music, as while they were never really my thing I can’t deny that they’ve completely changed the scene and that ‘One More Time’ is a bangin’ masterpiece. Luckily the two of them seem to have already found another job.

We’re still in lockdown, whereby all but essential travel is banned – although that doesn’t seem to have stopped Banksy, who ventured from his native Bristol to my home town of Reading to scribble his latest drawing on the wall of the heritage masterpiece / public eyesore (delete as applicable) that is Reading Gaol. It’s Oscar Wilde, escaping with a typewriter, sheets tied together like in Colditz, something that never happened in real life. As far as we know, anyway.

“That’s it, nearly there. Just a little further. You know what, Yaz, I think I’m getting an idea.”

Elsewhere, in a forest in Hampshire, someone else is breaking lockdown:

My children have been watching a lot of Gordon Ramsay’s Kitchen Nightmares. The eldest two spent New Year’s Eve watching a few back to back with the horror movie Us; I’d say I don’t know what was the most terrifying part of the whole thing but earlier in the evening we’d all been watching Cats, so I think you have your answer. In any case, Ramsay is a good deal more sprightly than he was in Gordon Ramsay’s Bank Balance, a show that seems to have been almost universally panned, although it’s good to know that they’re managing to make the most of the old TARDIS sets.

“Our first contestants tonight are Amy and Rory, from Leadworth in Gloucestershire…”

I read an interesting thing in the press the other week about a scientific dig that yielded unexpected results, and the instant thing I thought of was Lovecraft and shoggoths and albino penguins. But I also did this. You couldn’t not, really.

Politics, and the news that the Prime Minister has designs on a colossal subterranean junction is met with the mirth and condescension it undoubtedly deserves.

We giggle at these fancies, but is it such a terrible idea? It’s certainly a more practical solution than teleportation, which (and why does nobody discuss this?) effectively kills you and reconstructs an identical copy at the other end, unless you’re in The Fly or something. And yet when we’re watching TV we’ll readily accept teleportation, and faster-than-light travel, and the existence of wormholes, or a police box that can fly and open its doors to a completely different place a few seconds later.

“Just through there, sir.”

And I would rather be anywhere else than here today. Still. This week – 9th March as I write this – marks the week the schools officially reopen (they never actually closed, of course, and teachers never stopped working), meaning a return to something awkwardly like normality. Well, kind of.

“It’s lovely to see you everyone back, and I’m pleased you’ve all remembered your masks…”

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