Last week we were talking about old videos that I’d been re-doing. If you haven’t read part one, you can do so here.
Today, set a course for deep space, three million years in the future…
2. The Tenth Doctor Meets Holly
This was the only one of my videos to ever feature in The Daily Mirror. I am still grateful to Danny Walker for picking it up; the effect on traffic was pretty substantial. It’s the one that tends to get the lion’s share of the comments coming in, although they’re not all good. I had a delicious argument with a troll a while back who argued that there was no good British sci-fi. Americans, he contested, had Star Wars and Star Trek and Philip K. Dick. “You guys do fantasy great,” he conceded, but that was it.
“You don’t have Star Wars,” I told him. “It was written and produced by an American and some of the leads are American, but a significant chunk of the cast are British (the ones who can act, anyway) and an awful lot of it was filmed here with British crews.” I then gave him a list of seminal English sci-fi writers and casually insulted him: this was the point at which the troll realised he was being trolled back, whereupon he promptly vanished.
Well, honestly. You have to keep an eye on things. I have a self-imposed ‘never apologise, never explain’ rule to my Metro and Doctor Who Companion work, but when it comes to YouTube, I’m there like a rocket when the abuse comes in. Nine times out of ten you’re more intelligent than the person insulting you, and it can be fun running rings around them, as I did with Mr “Fuck you, I hate you more than my slow phone” last month. I know it’s juvenile. And I know you’re not supposed to feed the
troll hater. But there’s a time and a place. If you were running a stand at a convention and someone came up and started being rude to you, you wouldn’t ignore them, you’d tell them to sling their hook. This is a bit like that.
But this video…eesh. The negative comments on this bugged me, because they were right. In its original form, it was far too long. In my quest to include more or less every usable clip I shoehorned in a lot of stuff that didn’t need to be there. For example, there’s a bit where the Doctor and Rose and Mickey are discussing the concept of parallel universes, so I included some speculation from Holly about Ringo Starr (from a series 2 episode called, astonishingly, ‘Parallel Universe’). It wasn’t funny. But in it went. There was an exchange with Harriet Jones that didn’t work. In it went. The ending didn’t work. The opening scene with Tennant works at its beginning and then doesn’t.
“Some of these,” said one user, “I felt were misjudged and kind of fell flat but the ones that were good, were really good.” Others were less kind: “A very nice idea,” somone said, “but very poorly executed”. The most scathing criticism came from Red Whovian, who (despite having a silly name) pointed out that “You’ve got to do more than just insert Holly in between Dr Who clips; a good editor can make the dialogue seem like it’s properly interacting.”
You can imagine at the time that this bugged me tremendously. It’s not much fun when someone takes the trouble to unceremoniously dump on this labour of love that took you hours and for which you didn’t get paid, and which cost them nothing to see. “Take their comments,” suggested a friend, “and look at them constructively. Ask yourself whether they might have a point about any of it. If they don’t, you don’t need to worry.”
When it came to look at this again, less was more. It was a lesson I’d already learned and put into practice when assembling other similar videos. I fixed the ambient sound and managed to re-crop some of the dialogue so that a couple of lines that were previously missing their very beginning (which is like, I don’t know, an MP4 circumcision) were now fully intact. But the most important thing was what was missing: lines were moved from one scene to another (Holly’s “Explain this” exchange now makes a modicum of sense), and whole exchanges were lost. The ending was re-jigged. Peter Jackson’s approach to ‘definitive cuts’ of Lord of the Rings was to add footage he had to remove from the theatrical version. When Ridley Scott went back to Blade Runner, it was all about what he wanted to remove. You can guess which I prefer.
It’s not perfect – still, it is, I hope, something of an improvement. Unless you’re watching on a slow phone, of course. But I can’t do everything.